THREE-FINGER EMBLEM. HOW DID THE SERBS GESTURE CONSTRUCT THE VISUAL IMAGE OF THEIR NATIONAL IDENTITY IN 20th CENTURY 90s
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Nov 23, 2016
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Abstract
The gestural performance of the physical body vehicle shape which consequently became known as the Three-Finger Emblem presents a kind of the cultural invention in the Serbian culture in the last decade of the 20th Century. This paper deals with this phenomenon from the socio cultural anthropological viewpoint founded on the methodology of gesture studies: the issue of interest includes matters of ethnicity and identity, as well those of gesture morphology, semantics and motivation.
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Žikić, Bojan. 2016. “THREE-FINGER EMBLEM. HOW DID THE SERBS GESTURE CONSTRUCT THE VISUAL IMAGE OF THEIR NATIONAL IDENTITY IN 20th CENTURY 90s”. ЕтноАнтропоЗум/EthnoAnthropoZoom, no. 4 (November), 11-25. https://doi.org/10.37620/EAZ0440011z.
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The Social Organization of Cultural Difference, Bergen/Oslo: Universitetsforlaget,
Boston: Little and Brown
Calbris G., 1990
Calbris, Genevi~ve (1990), The Semiotics of French Gestures, Bloomington and
Indianapolis: Indiana University Press
Efron D., 1972
Efron, David (1972), Gesture, Race and Culture, The Hague: Mouton (orig. Gesture
and Environment, NewYork: King’s Crown Press 1941)
Ekman P and Wallace V. F., 1981
Ekman, Paul and Wallace V. Friesen (1981), The Repertoir of Nonverbal Behavior:
Categories, Origin, Usage, and Coding, in Adam Kendon (ed.), Nonverbal
Communication, Interaction and Gesture, Selections from Semiotica, The Hague,
Paris, New York: Mouton (orig. in Semiotica 1, 1969)
Li~ E., 1983
Li~, Edmund (1983), Kultura i komunikacija. Logika povezivanja simbola, Beograd:
Prosveta-XX vek (orig. Edmund R. Leach, Culture and Communication. The Logic by
which Symbols are Connected, 1976)
@iki} B., 2002
@iki} Bojan (2002), Antropologija gesta II. Savremeno dru{tvo, Beograd: Etnolo{ka
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Contemporary Society, Belgrade: Serbian Genealogical Center Ethnological Library)